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Full Contact (1992)
It might be safe to say that the late 80’s and the early 90’s was possibly the high point for Hong Kong crime cinema. Sure, there’s been a lot of brilliant flicks since then (Johnny To probably responsible for more than his fair share) but the hey day of John Woo and Ringo Lam just somehow stands out as some of the freshest, most electrifying cinema around. True, the fairly standard criminal betrayed revenge story Full Contact wasn’t the most … (read more)
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The Great Passage (2013)
You might think that a movie about compiling a dictionary – even the first ever “living dictionary” – is going to be about as compelling as watching paint dry. Under normal circumstances you’d probably be right, but normal circumstances don’t take The Great Passage’s sterling cast and sensitive filmmaker Yuya Ishii’s deft handling of everyday social interactions into account.
It’s 1995 (pre-computing technology, if you can believe that. Or, you know, check with Wiki) and Mitsuya Majime (Ryuhei Matsuda, Big … (read more)
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Long Arm of the Law (1984)
Johnny Mak’s powerful 1984 crime film Long Arm of The Law was a film for its time and a big box-office hit that year. Nearly thirty years later it stands the test of time extremely well and looks to be having a new lease on life, with recent incarnations on Blu-Ray, DVD and theatrically.
For Australian audiences, Long Arm of The Law is part of Brisbane’s Gallery of Modern Art (GOMA) Action, Hong Kong Style film programme which is, without … (read more)
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Reunion (2012)
No one with a television and an internet connection is unfamiliar with the events in March 2011 that resulted in the deaths of roughly nineteen thousand people in the Miyagi prefecture on the east coast of the main island of Honshu, Japan. On a scale of disasters, the 40 metre tsunami that levelled the area is an image that will not be soon forgotten, but for those of us lucky enough to be watching from afar, there is of course … (read more)
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Real (2013)
Reminiscent of a Shinya Tsukimoto film, where reality is not always quite as stable as one would like, Kiyoshi Kurosawa’s Real similarly deals with the delineations between reality and fantasy, and subsequently life and death. Mildly creepy, this somnambulistic thriller packs a few small punches but for the most part fails to get its heart rate above resting.
Koichi (Takeru Satô, Rurouni Kenshin) is a young man with a girlfriend in a coma. All Smiths song references aside, he’s … (read more)
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Gatchaman (2013)
I suppose the first thing most people will want to know about the 2013 live action version of Gatchaman, better known outside of Japan as Battle of the Planets or even G-Force, is “does it make me wish I’d never seen it?”. After all, childhood memories are precious things, and if you were anything like me as a kid growing up in Australia (and you know, if you’re close to my clearly elderly years) you would have been … (read more)
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Thermae Romae (2012)
Unless you’re Japanese, it’s difficult to really understand what makes the onsen, or public bath, so popular. To even begin, you need to have been to Japan and gone to one, and even then you’ll probably never really grasp the significance the bath holds for the Japanese. After you get past the fact that you’re naked (except for a tiny towel) with a bunch of people you don’t know, sure, it’s an unbelievably wonderful experience. Think a bath tub the … (read more)
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Library Wars (2013)
In a refreshing change of pace (at least lately, it seems) Shunsuke Sato’s (Princess Blade, Gantz 1 & 2) Library Wars looks to something other than terrorism for its narrative inspiration. Based on a relatively recent light novel series by Hiro Arakawa (there’s also a manga adaptation and an anime series produced by I.G.), Library Wars instead addresses the topic of reading censorship.
Censorship is neither an invented issue nor a new one, particularly in Japan. Only … (read more)
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