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The world of DV filmmaking is a tantalising concept. Anyone can pick up a cheap camera, get a bunch of friends together arguing over a map and make their own Blair Witch Project. It’s affordable and offers complete control to the budding filmmaker, such that DV is sometimes also described as a “liberating” format by established big gun directors. Despite this dangling carrot of auteur-ship, the DV format seems to be something that these established film directors dabble … (read more)