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It might have been easy to descend into a creepy, stomach churning genre film when the main narrative device of the story is a cadaver, but somehow that’s exactly what Shinya Tsukamoto’s 2004 film Vital isn’t. Instead, and it sounds strange to say, it is something of a love story, a subtle, sedated ode to loss and the process of grieving that is at times both vaguely discomforting and quietly beautiful.

In yet another solid performance of minimalist effort, … (read more)