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Anyone with an interest in contemporary Hong Kong cinema has seen a film with Felix Chong’s screenwriter-fingerprints all over it, from this year’s Donnie Yen action spectacular (well, one of them!) The Lost Bladesman to the much-lauded Infernal Affairs trilogy. Usually, he works alongside Alan Mak, with whom he shares most of his writing credits, and often it seems that director Andrew Lau’s involved as well.

Not so for Once a Gangster, Chong’s first film as solo director. Years … (read more)